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Businesses

Apple Wants To Turn Its Music App Into a One-Stop Shop For Pop Culture (bloomberg.com) 54

Jimmy Iovine, one of the heads of Apple Music, has long expressed desires to make Apple Music "an entire pop cultural experience." The company, he has previously said, will do so partly by including original video content into its music app. Now, in an interview with Bloomberg, he added that the company plans to include original shows and videos with high-profile partners such as director J.J. Abrams and rapper R. Kelly. Iovine adds, from the interview: A music service needs to be more than a bunch of songs and a few playlists. I'm trying to help Apple Music be an overall movement in popular culture, everything from unsigned bands to video. We have a lot of plans. We have the freedom, because it's Apple, to make one show, three shows, see what works, see what doesn't work until it feels good. The article also sheds light on Iovine's personality: Iovine fidgets when he talks. As his mind wanders, he takes his jacket off, then puts it back on. He frequently clutches his legs, contorting himself into a ball. He's a font of ideas with industry contacts to help execute every one of them. He turned to Pharrell Williams and Gwen Stefani for help picking the model for Beats headphones. Some ideas get Iovine into trouble. He's taken meetings with artists and made arrangements to release music without telling anyone in advance, frustrating colleagues. He's persuaded artists to release music exclusively with Apple, frustrating record labels.
Piracy

Pirate Site Blockades Violate Free Speech, Mexico's Supreme Court Rules (torrentfreak.com) 35

New submitter happyfeet2000 quotes a report from TorrentFreak: Broad pirate sites blockades are disproportional, Mexico's Supreme Court of Justice has ruled. The government can't order ISPs to block websites that link to copyright-infringing material because that would also restrict access to legitimate content and violate the public's freedom of expression. The ruling is a win for local ISP Alestra, which successfully protested the government's blocking efforts. Alestra was ordered to block access to the website mymusiic.com by the government's Mexican Institute of Industrial Property (IMPI). The website targeted a Mexican audience and offered music downloads, some of which were shared without permission. "The ISP was not pleased with the order and appealed it in court," reports TorrentFreak. "Among other things, the defense argued that the order was too broad, as it also restricted access to music that might not be infringing." The Supreme Court of Justice of the Nation heard the case and ruled that the government's order is indeed disproportional.
EU

EU Lawmakers Include Spotify and iTunes In Geoblocking Ban (reuters.com) 68

An anonymous reader quotes a report from Reuters: European Union lawmakers voted on Tuesday to ban online retailers from treating consumers differently depending on where they live and expanded their proposed law to include music streaming services such as Spotify and Apple's iTunes. Ending so-called geoblocking is a priority for the European Commission as it tries to create a single market for digital services across the 28-nation bloc, but many industries argue that they tailor their prices to specific domestic markets. The proposal, which will apply to e-commerce websites such as Amazon, Zalando and eBay, as well as for services provided in a specific location like car rental, forbids online retailers from automatically re-routing customers to their domestic website without their consent. In a blow for the book publishing and music industries, European Parliament members voted to include copyright-protected content such as music, games, software and e-books in the law. That would mean music streaming services such as Spotify and iTunes would not be able to prevent, for example, a French customer buying a cheaper subscription in Croatia, if they have the required rights.
Music

Streaming Services Help Global Music Industry To Fastest Growth in Nearly 20 Years (billboard.com) 47

The global music industry grew by 5.9 percent in 2016, its fastest rate of growth since 1997, as revenue generated by streaming services surged 60 percent. From a report: The IFPI's Global Music Report (previously known as the Digital Music Report) states that trade revenue generated by the global recorded music industry climbed by 5.9 percent to $15.7 billion, with digital sales up 17.7 percent across the board. After digital revenue surpassed physical for the first time in 2015, digital hits another milestone in 2016, accounting for 50 percent ($7.8 billion) of all music sales for the first time. More importantly, 2016 marked the second successive year that the recorded music market grew after nearly two decades of continually falling sales during which revenues dropped by almost 40 percent at their lowest point. [...] Breaking down the Global Music Report findings, the mass adoption of streaming services such as Spotify, Amazon and Apple Music in both established and emerging markets is -- as expected -- the main driver behind the industry's sustained upturn.
GNU is Not Unix

Richard Stallman Interviewed By Bryan Lunduke (youtube.com) 171

Many Slashdot readers know Bryan Lunduke as the creator of the humorous "Linux Sucks" presentations at the annual Southern California Linux Exposition. He's now also a member of the OpenSUSE project board and an all-around open source guy. (In September, he released every one of his books, videos and comics under a Creative Commons license, while his Patreon page offers a tip jar and premiums for monthly patrons). But now he's also got a new "daily computing/nerd show" on YouTube, and last week -- using nothing but free software -- he interviewed the 64-year-old founder of the Free Software Foundation, Richard Stallman. "We talk about everything from the W3C's stance on DRM to opinions on the movie Galaxy Quest," Lunduke explains in the show's notes.

Click through to read some of the highlights.
Businesses

Uber Tried To Hide Its Secret IPhone Fingerprinting From Apple (cnbc.com) 115

theodp quotes today's New York Times profile of Uber CEO Travis Kalanick: For months, Mr. Kalanick had pulled a fast one on Apple by directing his employees to help camouflage the ride-hailing app from Apple's engineers. The reason? So Apple would not find out that Uber had secretly been tracking iPhones even after its app had been deleted from the devices, violating Apple's privacy guidelines.
Uber told TechCrunch this afternoon that it still uses a form of this device fingerprinting, saying they need a way to identify those devices which committed fraud in the past -- especially in China, where Uber drivers used stolen iPhones to request dozens of rides from themselves to increase their pay rate. It's been modified to comply with Apple's rules, and "We absolutely do not track individual users or their location if they've deleted the app..." an Uber spokesperson said. "Being able to recognize known bad actors when they try to get back onto our network is an important security measure for both Uber and our users."

The article offers a longer biography of Kalanick, who dropped out of UCLA in 1998 to start a peer-to-peer music-sharing service named Scour. (The service eventually declared bankruptcy after being sued for $250 billion for alleged copyright infringement.) Desperately trying to save his next company, Kalanick "took the tax dollars from employee paychecks -- which are supposed to be withheld and sent to the Internal Revenue Service," according to the Times, "and reinvested the money into the start-up, even as friends and advisers warned him the action was potentially illegal." The money eventually reached the IRS as he "staved off bankruptcy for a second time by raising another round of funding." But the article ultimately argues that Kalanick's drive to win in life "has led to a pattern of risk-taking that has put his ride-hailing company on the brink of implosion."
Android

Anbox Can Run Android Apps Natively On Linux (In A Container) (anbox.io) 66

Slashdot user #1083, downwa, writes: Canonical engineer Simon Fels has publicly released an Alpha version of Anbox. Similar to the method employed for Android apps on ChromeOS, Anbox runs an entire Android system (7.1.1 at present) in an LXC container. Developed over the last year and a half, the software promises to seamlessly bring performant Android apps to the Linux desktop.

After installing Anbox (based on Android 7.1.1) and starting Anbox Application Manager, ten apps are available: Calculator, Calendar, Clock, Contacts, Email, Files, Gallery, Music, Settings, and WebView. Apps run in separate resizeable windows. Additional apps (ARM-native binaries are excluded) can be installed via adb. Installation currently is only supported on a few Linux distributions able to install snaps. Contributions are welcome on Github.

In a blog post Simon describes it as "a side project" that he's worked on for over a year and a half. "There were quite a few problems to solve on the way to a really working implementation but it is now in a state that it makes sense to share it with a wider audience."
Canada

Canada Rules To Uphold Net Neutrality (www.cbc.ca) 65

According to a new ruling by Canada's telecommunications regulator, internet service providers should not be able to exempt certain types of content, such as streaming music or video, from counting toward a person's data cap. The ruling upholds net neutrality, which is the principle that all web services should be treated equally by providers. CBC.ca reports: "Rather than offering its subscribers selected content at different data usage prices, Internet service providers should be offering more data at lower prices," said Jean-Pierre Blais, chairman of the CRTC in a statement. "That way, subscribers can choose for themselves what content they want to consume." The decision stems from a 2015 complaint against the wireless carrier Videotron, which primarily operates in Quebec. Videotron launched a feature in August of that year, enabling customers to stream music from services such as Spotify and Google Play Music without it counting against a monthly data cap as a way to entice people to subscribe to Videotron's internet service. The decision means that Videotron cannot offer its unlimited music streaming plan to subscribers in its current form -- nor can other internet providers offer similar plans that zero-rate other types of internet content, such as video streaming or social media.
Privacy

Bose Headphones Secretly Collected User Data, Lawsuit Reveals (fortune.com) 231

The audio maker Bose, whose wireless headphones sell for up to $350, uses an app to collect the listening habits of its customers and provide that information to third parties -- all without the knowledge and permission of the users, according to a lawsuit filed in Chicago. From a report: The complaint accuses Boston-based Bose of violating the WireTap Act and a variety of state privacy laws, adding that a person's audio history can include a window into a person's life and views. "Indeed, one's personal audio selections -- including music, radio broadcast, Podcast, and lecture choices -- provide an incredible amount of insight into his or her personality, behavior, political views, and personal identity," says the complaint, noting a person's audio history may contain files like LGBT podcasts or Muslim call-to-prayer recordings.
Displays

Religion Meets Virtual Reality: Christianity-Themed VR Demo Scheduled For Easter (nbcnews.com) 90

"Anyone looking to experience God in a brand new way will soon have his or her chance -- virtually," writes NBC News, reporting on "a new immersive faith-based virtual reality experience...part of a larger project created by L. Michelle Media called Mission VR." An anonymous reader writes: The company was founded "to create a signature virtual reality environment -- a faith world of sorts -- where dynamic, never before seen, Christian lifestyle stories and experiences could have a home." Demos have been timed to coincide with this weekend's Easter celebration, while the official launch happens later this spring. Viewers will apparently experience biographical stories combining VR applications and YouTube videos to showcase the power of belief. "Up until now, we've only been able to watch Christianity from a third person perspective -- preached sermons, music videos, interviews, even reality shows..." says the founder of Mission VR. "This is the future of Christian programming."
But one reverend told NBC that VR worlds could be dangerous because they "may take people from community and from the incarnational aspects of Christian life... [W]e always run a very serious risk that the medium overtakes the message... What we must do is guard against the use of technology through market logic where people become brands and all things spiritual become commoditized."
Music

As Streaming Booms, Songs Are Getting Faster and Shorter (japantoday.com) 173

An anonymous reader shares a report: A new study finds that pop songs are getting faster as listeners' attention spans diminish. Instrumental openings to songs have shrunk dramatically over the past three decades and, to a lesser extent, the average tempo of hit singles has been speeding up, the research found. Hubert Leveille Gauvin, a doctoral student in music theory at the Ohio State University, analyzed the year-end top 10 on the US Billboard chart between 1986 and 2015. In 1986, it took roughly 23 seconds before the voice began on the average hit song. In 2015, vocals came in after about five seconds, a drop of 78%, he found. In a study published in Musicae Scientiae, the Journal of the European Society for the Cognitive Sciences of Music, Leveille Gauvin linked the trend to the rapid rise of Spotify and other streaming sites that give listeners instant access to millions of songs. "It makes sense that if the environment is so competitive, artists would want to try to grab your attention as quickly as possible," he told AFP.
Businesses

Staples Tries Co-Working Spaces To Court Millennials And Entrepreneurs (pilotonline.com) 177

Are there any Slashdot readers who are doing their work in co-working spaces? An anonymous reader writes: Staples office-supply stores is aggressively repositioning its brand to entice new customers like tech entrepreneurs and small businesses, reports The New York Times. "A case in point: Staples' partnership with Workbar, a Boston-based co-working company founded in 2009... Workbar attracts the coveted millennial generation, as well as entrepreneurs, a potential pipeline for new small business customers." Three co-working spaces have now been added to Staples stores, including their original flagship store in Boston, and the Times spotted funky art, skylights, an artificial putting green, as well as gourmet coffee "and -- on some nights -- happy hours with beer and wine."

"This blend of old and new shows how Staples Inc. is digging up its roots as one of the first, and most successful, big-box retailers. Under Shira Goodman, the company's new chief executive officer, Staples hopes it can reverse its years of declining sales, unlike so many other retailers left for dead in the internet age."

The company also reports online orders already make up 60% of their sales, which they hope to push to 80% by 2020, according to the Motley Fool. "Selling products, 50% of which are outside of traditional office supply categories, to businesses large and small has proven to be a resilient business for Staples."
Music

Spotify Premium Users Will Get Some Albums Two Weeks Before Free Users (theverge.com) 46

Spotify has signed a long-term licensing agreement with Universal Music Group, allowing new albums from Universal artists to be restricted to its premium service for up to two weeks. The Verge reports: In a statement, Spotify CEO Daniel Ek admitted that Spotify understands that its policy of releasing albums across its entire service couldn't last forever. "We know that not every album by every artist should be released the same way, and we've worked hard with UMG to develop a new, flexible release policy," Ek stated. "Starting today, Universal artists can choose to release new albums on premium only for two weeks, offering subscribers an earlier chance to explore the complete creative work, while the singles are available across Spotify for all our listeners to enjoy." The agreement with UMG should allow for deals with Spotify's other two major label partners, Warner Music Group and Sony Music Group, to be completed in short order -- deals that likely will match the parameters set in the Spotify-UMG deal -- paving the way for Spotify's initial public offering.
The Almighty Buck

Streaming Services Generated More Than 50% of All US Music Industry Revenue in 2016 (variety.com) 34

Janko Roettgers, reporting for Variety: Streaming music services were for the first time ever responsible for more than 50 percent of all U.S. music industry revenue in 2016, according to new numbers released by the Recording Industry Association of America (RIAA) Thursday. Paid and ad-supported streaming together generated 51 percent of music revenue last year, to be precise, bringing in a total of $3.9 billion. In 2015, streaming music was responsible for 34 percent of the music industry's annual revenue. Much of that increase can be attributed to a strong growth of paid subscriptions to services like Spotify and Apple Music. Revenue from paid subscription plans more than doubled in 2016, bringing in $2.5 billion, with an average of 22.6 million U.S. consumers subscribing to streaming services last year. The year before, subscription services had an average of 10.8 million paying subscribers.
Music

Safe Harbor Cost the US Music Industry Up To $1B in Lost Royalties Per Year, Study Finds (musicweek.com) 194

An anonymous reader shares a report: For the first time, researchers have quantified the "value gap" and its impact on the US recorded music industry. A study published yesterday (March 29) by Washington, DC-based economy think tank the Phoenix Centre For Advanced Legal And Economic Public Policy Studies attempted to calculate how much revenue the recording industry loses from the distortions caused by the safe harbor provisions. Entitled Safe Harbors And The Evolution of Music Retailing, the study was conducted by T. Randolph Beard, George S. Ford and Michael Stern who applied "accepted economic modelling techniques" to simulate revenue effects from royalty rate changes on YouTube. It showed that if YouTube were to pay the recorded music industry market rates, similar to what other streaming services pay, its economic contributions to the sector would be significantly bigger. The premises used by the Phoenix Centre economists was that, according to the music recording industry, YouTube evades paying market rates for the use of copyrighted content by exploiting the Digital Millennium Copyright Act's "safe harbor" provisions, which allow to post creative content online in good faith and remove it if rights holders so require. Using 2015 data, the Phoenix Centre found that "a plausible royalty rate increase could produce increased royalty revenues in the US of $650 million to over one billion dollars a year."
Microsoft

Xbox One's Faster, Simpler Interface is Now Available To Everyone (engadget.com) 15

Microsoft today announced it is releasing a major update to the Xbox One gaming console. The much-awaited update comes with a few new features and improvements such as Beam, the company's livestreaming client that does similar things as Twitch; and a faster and simpler interface. From a report on Engadget: The March update centers around a redesigned interface that's designed for speed above all else. It's quicker to perform more than a few tasks, such as finding a group to join. The revamped Guide should be much quicker, too -- it promises faster access to recent apps, background music controls and game recording. A few tweaks are designed with multitasking in mind, such as a brand new achievement tracker and a Cortana rework that puts the voice assistant into an overlay that won't disrupt what you're doing.
Games

One in Five Mobile Phones Shipped Abroad Are Phoney (theregister.co.uk) 60

Nearly one-fifth of mobile phones and one-quarter of video game consoles shipped abroad are fake, according to a report by the the Organisation for Economic Co-operation and Development (OECD). The Register adds: The Trade in Counterfeit ICT Goods report, published ahead of the 2017 OECD Global Anti-Corruption and Integrity Forum this month, identified a growing trend in fake goods. Smartphone batteries, chargers, memory cards, magnetic stripe cards, solid state drives and music players are also increasingly falling prey to counterfeiters. On average, 6.5 per cent of global trade in ICT goods is in counterfeit products, according to analysis of 2013 customs data, that is up from 2.5 per cent of overall traded goods found to be fake in a 2016 report. China is the primary source of fake ICT goods, and US manufacturers are the worst affected by lost revenue and erosion of brand value, the report said. Almost 43 per cent of seized fake ICT goods infringe the IP rights of US firms, followed by 25 per cent for Finnish firms and 12 per cent for Japanese firms.
Crime

Indiana's Inmates Could Soon Have Access To Tablets (abc57.com) 133

An anonymous reader quotes a report from ABC57 News in South Bend, Indiana: Indiana is looking to help offenders who are behind bars. Soon, each inmate in the Hoosier state could have their own tablet. The Indiana Department of Correction says the tablet will help inmates stay connected with their families and improve their education. Offenders will be able to use the tablets to access any classwork, self-help materials or entertainment. Officials expect to use entertainment, like music or movies, to reward good behavior. The proposal was first filed in January. Apple iPad's or kindles won't be used. Instead, a company that makes tablets specifically for prisons or jails will be hired. One San Francisco based-company they may consider, Telmate, has a device that is used in more than 20 states, including some jails in Marshall County. INDOC is hoping a vendor will front the costs of the entertainment apps so taxpayers won't have to. INDOC also says it wants to avoid charging inmate fees because charging fees that they can't afford would defeat the purpose of the system. If the company selected pays, the vendor would be reimbursed and still earn a profit.
GNOME

GNOME 3.24 Released (softpedia.com) 118

prisoninmate quotes a report from Softpedia: GNOME 3.24 just finished its six-month development cycle, and it's now the most advanced stable version of the modern and popular desktop environment used by default in numerous GNU/Linux distributions. It was developed since October 2016 under the GNOME 3.23.x umbrella, during which it received numerous improvements. Prominent new features of the GNOME 3.24 desktop environment include a Night Light functionality that promises to automatically shift the colors of your display to the warmer end of the spectrum after sunset, and a brand-new GNOME Control Center with redesigned Users, Keyboard and Mouse, Online Accounts, Bluetooth, and Printer panels. As for the GNOME apps, we can mention that the Nautilus file manager now lets users browse files as root (system administrator), GNOME Photos imitates Darktable's exposure and blacks adjustment tool, GNOME Music comes with ownCloud integration and lets you edit tags, and GNOME Calendar finally brings the Week view. New apps like GNOME Recipes are also part of this release. The full release notes can be viewed here. Softpedia notes in conclusion: "As mentioned before, it will take at least a couple of weeks for the new GNOME 3.24 packages to land on the stable repositories of your favorite distro, which means that you'll most probably be able to upgrade from GNOME 3.22 when the first point release, GNOME 3.24.1, is out on April 12, 2017."
Desktops (Apple)

Popular Open-Source Audio Editor Audacity Adds Windows 10 Support, More Improvements (audacityteam.org) 102

Audacity, a popular open-source and cross-platform audio editor, has received a "maintenance" update that brings several improvements. Dubbed v2.1.3, the biggest new addition appears to be support for Windows 10 OS. For Mac users, Audacity now works in tandem with the Magic Mouse. "We now support Trackpad and Magic Mouse horizontal scroll without SHIFT key and Trackpad pinch and expand to zoom at the pointer," the release note says. We also have new "Scrub Ruler" and "Scrub Toolbar" scrubbing options in the application now. Read the full changelog here.

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